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Sony Hack Reveals Hollywood's Acceptance Of White Privilege : Code Switch : Npr

The Rev. Al Sharpton (left) and Marc Morial, president of the National Urban League, speak <a href=[source] to reporters after they met with Sony Pictures co-chairman http://andreasiuww.sosblogs.com Amy Pascal on Dec. 18.' /> This seems to happen even when there's evidence that breaking down those walls will actually make better films and more money. Consider the Golden Globe award nominees. Last year, thanks to films like 12 Years a Slave, Gravity, Captain Phillips and Mandela: Long Walk to Freedom, there were a wealth of nonwhite actors, actresses, directors and screenwriters nominated for top awards in film. This year, there are eight nonwhite Golden Globe nominees in major acting and directing categories across TV and movies. Films prominently featuring black people, like Belle, Beyond the Lights, Top http://morrismkau.wikispaces.com 5 and Dear White People, were overlooked; Selma, the feature film on Martin Luther King Jr., got two of the three nominations for nonwhite people in film. It's as if the lessons of last year where diverse casts, writers and directors produced some of the most exciting work of the season went unheeded when studio big shots like Pascal and Rudin were deciding what gets made and what doesn't in 2014. (In a year where Gugu Mbatha-Raw stars in both Belle and Beyond the Lights, how she didn't get nominated for something is beyond me.) In the Globes' television nominees, there is even less excuse. ABC's Black-ish garnered a load of rave reviews and good ratings but was shut out of the Globes nominations. There were two well-deserved nominations for The CW's Jane the Virgin, a Latino-centered comedy that was also well-reviewed and beloved by critics.
Source: http://www.npr.org/blogs/codeswitch/2014/12/26/371716376/hollywoods-acceptance-of-white-privilege-revealed-by-sony-hack?utm_medium=RSS&utm_campaign=storiesfromnpr

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